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During the Iraq invasion, war critics blamed the American media for declining to focus their coverage on al-Jazeera-style footage of American dead and civilian casualties. Some of them evoked the ghost of World War II correspondent Ernie Pyle, who wrote unflinchingly about the brutality and death of battle, about "friendly fire" casualties and blundering bureaucracies. They reminded us that Pyle won his Pulitzer for a column that described the glamorless death of a U.S. Army captain. Those people should have read more Ernie Pyle, or read him more carefully. Perhaps people already have forgotten that Pyle was the model the U.S. military held up to refractory Vietnam War correspondents for how a well-behaved war reporter ought to write. The itch behind the call for more blood in the Iraq coverage is a desire to turn people's stomachs, and turn their loyalties away from the war to liberate Iraq and now the struggle to rebuild it. That was not where Pyle would have been. I can only imagine what he would have made of the Michael Moore call for more American corpses. There are no more Ernie Pyles because our wars now take place on television. There is a world of difference between what Pyle did with his Corona typewriter and what a camera does as it pans across an embattled city street. It is the difference between Pyle's abstract, if unflinching, description of the dead in Italy and the torn-open bodies oozing blood in the Mideast dust. Pyle said he wanted "to make people see what I see." But Arthur Miller wrote that Pyle "told as much of what he saw as people could read without vomiting," which is probably closer to the truth. Pyle and the World War II correspondents who worked in his vein "gave Americans about all the realism they wanted," James Tobin wrote in "Ernie Pyle's War" [1997]. "To tell much more was to risk shock, anger, rejection, not to mention censorship. To weave a myth of sacrificial suffering instead was to do one's bit for the war. Pyle's G.I. myth -- not an untruth, but a way of bending reality into a sensible and bearable shape -- helped Americans through history's most grotesque and deadly ordeal ..." [Another difference between Pyle's war and ours is that the media, which now means TV, is global. There is no notion of "doing one's bit" among the camera crews, because CNN is competing for market shares in a world audience, not informing a domestic one. If there are Ernie Pyles left anywhere, they are among the magazine correspondents. One of them, Michael Kelly, left dispatches worthy of Pyle before he died in Iraq.] It was a balanced path. If Pyle stood one step back from the untellable horror of war, he also kept a footing in its gritty reality. Pyle never published a single sentence tainted by blind jingoism. If he had, it would have been scorned by the soldiers whom he moved among and derided by his fellow war correspondents. It would have disappointed most of the people who read him at home, who relied on him to show them "their" war. But Pyle could write as he did, grimly and honestly, because no one ever doubted whose side he was on. No one ever doubted whether he thought America ought to persevere, or to win. The deaths of so many good young men were a god-damned sin. But he never hinted that they died for nothing. Pyle didn't have to say in so many words that our cause is just, nor did he dehumanize the enemy. He wrote about the ordinary GI, with an unabashed and unglamorized manly affection for that class of solider. The everyday bravery and decency of the soldiers, which Pyle, too, embodied, is what we like to see in ourselves. "Ernie and his G.I.'s had made America look good," Tobin wrote. "The Common Man Triumphant, the warrior-with-a-heart-of-gold -- this was the self-image Americans carried into the post-war era." I picked an Ernie Pyle column, almost at random, and found one that has many contemporary echoes. It's unusual in that in it he takes a broader view of the war. He is reporting to America that the campaign underway is tougher than they think, that casualties are higher than they know. That the people they think they are liberating in many cases resent them and that there are many relics of the old regime left, stirring up trouble. Political Situation in Africa Was Ticklish and ConfusingNotice, too, what he doesn't write. Nowhere, for instance, does he insinuate that Roosevelt's re-election hinges on success in North Africa. The blogger Solomon has a thoughtful piece on the difference between Pyle and modern war correspondents. Today's journalists tend to take a top-down approach. Every reporter thinks it's his or her own duty to make us question anew what it's all about. Only after they present this framework do they tell us about what our guys and gals are doing -- how tough they have it, how much they're sacrificing. That's the framework. First the questioning, then the story of strife. They say they want us to support our troops, but the dissonance is strong. How can you support our guys, really, truly give them the moral support they need when you don't really support what they're doing? It shows through. You can feel it like a sickness creeping into even the best-intended articles.Which is right on, except I'd go even further and say, at least at this point in the Iraq struggle, the guys and gals in uniform on our side have disappeared from the coverage entirely. You want to see the difference between Ernie Pyle and today? Here's a chunk of today's New York Times story out of Najaf: "The agreements in Fallujah and Najaf appear to reflect the Bush administration's urgency to bring a measure of at least apparent calm to the country for the June 30 handover."And I'm sure, had the U.S. military done what it was fully capable of, and continued to pick apart those insurgents with lethal efficiency, we would pick up the Times today and read something like: "The show of force in Fallujah and Najaf appears to reflect the Bush administration's urgency to quell the uprisings before the June 30 handover." But what's amazing about both the Times and AP versions of these stories is, they quote U.S. generals in Baghdad, and al-Sadr's militiamen in Najaf. Where are the G.I.s? The exact people Pyle put at the center of everything he wrote. The people most Americans are most interested in. The ones who performed splendidly, picking off the thugs without putting a scratch in the precious Shi'ite mosques. Where are they? There's not one of them in these stories. Meanwhile, blogger Doug Patton imagines what Pyle would have written if he had been a modern TV war correspondent: Dateline London – 6 June 1944"Not an untruth, but a way of bending reality into a sensible and bearable shape." That's a poignant and pregnant phrase. Everyday heroes are not all that we are -- Pyle could be aggressive and irritable. He had mood swings. He cheated on his wife. He drank too much. So what? It does not taint the work he did to know that about the man. We're human. We do the best we can. Sometimes, to paraphrase Hemingway, we do better than we can. Tragically or not, those times often happen in war. Ernie Pyle knew that. He also knew that the reporter on the ground ought to tell the story in front of him, not ignore it and imagine what is going on in the opinion polls half a world away. Ernie Pyle, however, likely would not have overlooked Marine Capt. Brian R. Chontosh. What's amazing, to me, is that we all can name at least three of the Abu Ghraib prison abusers, because their pictures and names have been in the news for weeks now. But nobody knows Capt. Chontosh, because his name hasn't been in the New York Times or the Philadelphia Inquirer, or my newspaper. Here's his story: While leading his platoon north on Highway 1 toward Ad Diwaniyah, Chontosh's platoon moved into a coordinated ambush of mortars, rocket propelled grenades and automatic weapons fire. With coalitions tanks blocking the road ahead, he realized his platoon was caught in a kill zone.Ernie would have told it straight, not much more than that. But he would have found a twist here and a touch there and brought a tear to your eye even as he took your breath away.
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| © May 28, 2004 Douglas Harper - Civil War -Etymology Dictionary - Brambles |