The moment we encounter the added r's of purp or dorg in our reading we know that we have to do with humor, and so with school-marm. The added consonants are supposed to be spoken, if the words are uttered, but, as a matter of fact, they are less often uttered than seen. The words are, indeed, largely visual forms; the humor is chiefly for the eye. [Louise Pound, "The Humorous 'R,'" "American Mercury," October 1924]She goes on to note that in British humorous writing, -ar "popularly indicates the sound of the vowel in father" and formations like larf (for laugh) "are to be read with the broad vowel but no uttered r." She also quotes Henry James on the characteristic prominence of the medial -r- sound, which tends to be dropped in England and New England, in the speech of the U.S. Midwest, "under some strange impulse received toward consonantal recovery of balance, making it present even in words from which it is absent, bringing it in everywhere as with the small vulgar effect of a sort of morose grinding of the back teeth."
The rig characteristic of a schooner has been defined as consisting essentially of two gaff sails, the after sail not being smaller than the fore, and a head sail set on a bowsprit. [OED]Meaning "tall beer glass" is from 1879, of unknown origin.
In Baltimore in the 80s of the last century, the German-speaking householders, when they had occasion to speak of Negro servants in their presence, called them die Blaue (blues). In the 70s die Schwartze (blacks) had been used, but it was believed that the Negroes had fathomed it. [H.L. Mencken, "The American Language," Supplement I, 1945]
Science, since people must do it, is a socially embedded activity. It progresses by hunch, vision, and intuition. Much of its change through time does not record a closer approach to absolute truth, but the alteration of cultural contexts that influence it so strongly. Facts are not pure and unsullied bits of information; culture also influences what we see and how we see it. Theories, moreover, are not inexorable inductions from facts. The most creative theories are often imaginative visions imposed upon facts; the source of imagination is also strongly cultural. [Stephen Jay Gould, introduction to "The Mismeasure of Man," 1981]
Modern sense of "non-arts studies" is attested from 1670s. The distinction is commonly understood as between theoretical truth (Greek episteme) and methods for effecting practical results (tekhne), but science sometimes is used for practical applications and art for applications of skill. Main modern (restricted) sense of "body of regular or methodical observations or propositions ... concerning any subject or speculation" is attested from 1725; in 17c.-18c. this concept commonly was called philosophy. To blind (someone) with science "confuse by the use of big words or complex explanations" is attested from 1937, originally noted as a phrase from Australia and New Zealand.The word Scientology, conceived by L. Ron Hubbard, comes from the Latin scio which means "knowing, in the fullest meaning of the word" and the Greek word logos which means "study of." It means knowing how to know. Scientology is further defined as "the study and handling of the spirit in relationship to itself, universes and other life."There was a German scientologie (A. Nordenholz, 1937).